I am a humble chef, however, I will try to properly formulate my thoughts around the film, because it’s extremely dear to my heart.

If a man which has a revolver gets away from the train inside prologue of Sergio Leone’s film, then he must have something to say. The silent wanderer looks after a bitter story deep in their heart, his secret weighs heavily on his soul. However, even being sentimental in moments of relative solitude, the traveler is decisive, and within his eyes you will notice the trend containing accumulated above the years. He is not who he seems. The wanderer’s name is Douglas Mortimer, an old military man and today a bounty hunter. If viewers with the film listen to your words of any flabby old man chained into a bed (a funny grandpa appears closer for the middle of the film), they’re going to learn which the trains, these damned and noisy objects, are to blame for everything. Alas, but earthly hardships aren’t on a trains and Douglas Mortimer is well aware of this, his problem is made of bones, flesh and blood. The smoothness, played by Lee Van Cleef, cherishes the soul with thoughts of revenge, but not merely revenge is in the center with the plot of Sergio Leone’s brainchild, because as well as the retired colonel, there exists another hero while in the film. Fast, accurate, discreet, another bounty hunter. No less than curious, but at the most wildly interesting, specially when the “one-armed” shooter is played by Bruce Lee in the world of Westerns – Clint Eastwood. You can estimate that the paths of Mortimer as well as the nameless shooter will cross in the sun on the wild west. The spaghetti is already in the pot.

In A Few Dollars More, phrases like “in 10 mins you will be smoking in hell” or “you require a new sheriff” are inevitable. The hero of Clint Eastwood is shown like a shooter whose abilities is relevant inside a science fiction novel, but the only thing that is considered cannot be attributed towards the disadvantages with the narrative. Even most absurd moments inside the Western genre and beneath the skillful direction of Sergio Leone become salt for spaghetti, and the story plot with the partnership between One-Handed and Colonel Mortimer tenaciously keeps viewers in the screens, which are most likely visited by such thoughts: ¬¬ “I wonder what may occur further? Will One-Armed and Colonel Mortimer find mutual understanding? ” “A few dollars more” – shootings, chases, music of the clock, personifying the arrival of death, here satire, coupled with foolishness, lives hand and hand with drama and ironically interpreted religious motives. And, finally, the storyplot shown by Sergio Leone is the archetype of various paintings, where partnerships flow into friendship, though into a kind of friendship, with this friendship somebody can shoot a friend while in the neck making sure that he’s not killed because of the thugs of the last boss. The fire is burning in the pan. The spaghetti actually starts to boil.

Sergio Leone’s tape is indeed a classic of the genre, and that is obvious to see by the noise of bullets fired by way of the heroes, bank robberies plus the long glances that two shooters exchange before the decisive shot, that shot that decides human destiny. The creators not just highlight their creation (and they generally do it well), and also touch on burning topics using some episodes of the film, not afraid to scoff at corrupt politicians and cunning businessmen, using original script moves. In addition, it really is more than interesting to enjoy a number of Clint Eastwood and Lee Van Cleef – the heroes of the old and new generation of westerns who, in photographs of Manco (One-armed) and Colonel Mortimer, now and prove something to each other, competing while in the possession of a revolver and doing of sieve hats. Hmm, something’s heating up with the food prep, phew, you need to serve spaghetti for the table. Winnie, the wedding guests are waiting, hurry up, they can be hungry and have learned to taste Leone’s signature spaghetti. It’s difficult on an expressive chef to get the best helper these days. Spaghetti is served, but wait a few minutes, dear guests.

Undoubtedly, Sergio Leone in his “A Few Dollars More” demonstrates to everything about cinema the lion’s share of his talent and professionalism, and the photo itself can be considered hypertrophied dominating before the very first film of the trilogy, which attracted the interest of the expressive Akira Kurosawa. Several years later, Leone’s brainchild tries to please an array of people, and the film succeeds: those viewers who would like a dramatic story comprehend it, people who love shooting and duels are satisfied, and connoisseurs of satirical humor will probably be satisfied after watching. As for the music, you possibly can speak briefly – Ennio Morricone. Dear listeners, perhaps I will be too excited, which makes my head a little confused, but when you watch an excellent film of my fellow countryman putting on, you’re going to be convinced from the correctness of my words. However, I will not hide my bias, I truly love the stories in regards to the shooters with the wild west, where the two main different bounty hunters chasing the identical victim, and not exactly the same motives. Oh, I almost forgot, season with spaghetti sauce and garnish with basil. Looks pretty good. Enjoy your meal!

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